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🐰 Andy warhol art
Catalogue of Products Title: Cantaloupes in Space I (FS II.201) The year is 1979. Dimensions: 30′′ x 40′′ Screenprint on Lenox Museum Board (medium). Edition: 150 copies, 1 PP, signed and numbered in felt pen in the lower left corner. Numbered in Roman numerals, signed and numbered in felt ink, 30 on 4-ply Lenox Museum Board.
Andy Warhol’s Space Fruit: Cantaloupes 201 is a piece from his 1979 Space Fruit: Still Lifes series. Warhol reflects on his use of vivid shadows in this film, giving the fruit a more 3D perspective. Warhol compares a familiar picture and color of fruit with an unlikely periwinkle-blocked backdrop and turquoise shadows in Cantaloupes 201, giving the piece life and movement. Andy Warhol met printer Rupert Jasen Smith in 1977, and the two collaborated on the Space Fruit series. These prints show Warhol’s exploration of a centuries-old art genre: the still life. Still lives are choreographed compositions that concentrate on form, color, space, and, in some cases, symbolism. The use of shadows as a compositional feature piqued Warhol’s interest. He photographed these compositions after placing one or more pieces of fruit on a white background, lighting it from an angled position so that shadows were cast onto the white paper. Collage and drawing were also used to create the source imagery for the additional screens in each print. Each color represents a different silkscreened layer of the print in these pictures. Within each composition, the printing process allowed Warhol to create an infinite number of color combinations.
Space Fruit: Lemons 196 by Andy Warhol features many pictures of lemons scattered on a pink backdrop. This is the first piece in Warhol’s Space Fruit series, in which he produced abstract screenprints of a variety of fruits. While all of the fruits in this print are the same, each one is distinct, as some are based on the artist’s photographs, while others are more abstract and minimalist representations, depicted by yellow ovals with blue and purple shadows. Warhol’s Space Fruit Collection is immediately recognizable due to its abstract composition and use of artificial colors in place of a common image.
The overall theme of the Space Fruit series is similar to that of Warhol’s Grapes series, which focuses on different types of fruit. These prints are an example of the artist’s pop art take on the still life genre, which was a common convention in the early 1600s. Instead of using accuracy in linearity, Warhol uses a modern perspective on these fruits to break down barriers. The Space Fruit series marks a significant shift in the artist’s subject matter. Rather than capturing the glitz and glamour of high cultured society, these prints focus on the mundane. These fruits, on the other hand, continue Warhol’s fascination with death and the ephemerality of both human and botanical existence.
😽 Andy warhol art project
Our serigraph is from Andy Warhol’s portfolio Space Fruit: Still Lifes, which included six different space fruits: Cantaloupes I, Cantaloupes II, Watermelon, Apples, Peaches, and Pears, which was completed in 1979. New York-based Rupert Jasen Smith and Joe Grippi published the book, which was printed by Grippi/Zivian Inc.
Each piece in this portfolio is based on an original photograph by Ronnie Cutrone. From 1972 to 1980, Ronnie Cutrone was one of Andy Warhol’s personal assistants, working alongside the Pop master on paintings, prints, and films during the artist’s most prestigious and fruitful years.
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Space Fruit Peaches 202 was developed by Andy Warhol for his Space Fruit portfolio, which he finished in 1979 with the aid of printer Rupert Jasen Smith. The study of still life compositions that included fruits, vegetables, glasses of water, and insects influenced Warhol. By using a variety of vivid, contrasting, and complementing colors to create a three-dimensional look, Warhol reimagines the conventional depiction of still life. The pop artist was very concerned with creating a flawless shadow composition, which is apparent in this piece as he uses black, purple, and turquoise shading to create the fruits’ shadows. Although Warhol’s quick detailed lines give the fruit its form, it is the shading that gives it its texture, allowing the fruit to be recognized as peaches. Andy Warhol made Space Fruit: Peaches by putting the fruit on a white background and lighting it at different angles to produce arbitrary shadows that he photographed.