Ben and elliot fake
Tattoo prank! – elliot’s not happy! – ben phillips
Ben is back making more viral prank videos and has now turned his sights on raising awareness of the Australian bush fires after taking a six-month break for fatigue in 2017, going bankrupt in 2018, and becoming the subject of controversy when Elliot was filmed walking on a train tack, Ben is back producing more viral prank videos and has now turned his sights on raising awareness of the Australian bush fires. So far, the social media tycoon has raised over £77,000 for those affected by the destructive bushfires. Ben said, “I wanted to use my platform to help.” “The most impactful way to support the thousands of wounded animals who needed treatment felt like using social media to pull people together from all over the world to help fight the fires.”
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Ben Elliot Shop is an installation in the form of a concept store that brings together 45 brands and organizations from the apparel, technology, food, and entertainment industries to reflect lifestyles that lean toward human enhancement and artificial intelligence.
Ben Elliot works by assembling objects and using their individual characteristics to disseminate a broad idea or concept, sometimes polysemous, that can be understood by both the art world and the general public.
The project also incorporates contact and interactions with the individuals and companies involved in the project, as well as their respective audiences and networks, resulting in a large amount of content generated by the installation.
Ben Elliot Shop was conceived during a residency at BETC, a leading communication firm, where Elliot collaborated with a variety of marketing services to create a structured and conceptual balance between the brands’ communication stakes and the artwork’s. The development process is therefore viewed as a collaborative effort, and its economic structure includes players other than patrons-collectors-galleries, such as advertisers who profit from targeted advertisements. Ben Elliot Shop may be considered a basic entanglement of ready-mades since it exhibits items in a cultural institution where they can be called artworks. However, the objects’ life cycle does not end there. They retain their buyability: they are reintroduced into the consumer society and revert to their original product status.
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Ben Phillips Blows Up is a Welsh comedy series that follows Ben Phillips and his friends as they prank Elliot Giles, a long-term sufferer. In December 2016, Comedy Central revealed that a new reality prank comedy show based on Phillips’ YouTube channel pranks had been commissioned. On June 24, 2017, the first episode aired (2017-06-24). Phillips was tracked in his day-to-day life in the series, allowing his followers to see a different side of the internet pranks. The series did not last long, and Philips has since released an animated series called ‘The Ben and Elliot Show’ on YouTube. 1st
The ben and elliot story – the finale – 2015 – 2020
Elliot re-contextualizes simple ready-made objects as works of art worthy of viewing by both the art world and the general public, questioning what constitutes artwork and what does not.
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The audience is forced to grapple with the wastefulness and thoughtlessness that are so prevalent in today’s cultural environment by exhibiting items that would usually be used as a means of consumption as art. The lifecycle of the objects in Elliot’s installation does not end there, however; these works of art are still available for purchase, allowing them to be reintroduced into the consumer society, demonstrating that the balance between art and product is fluid and can shift between the two depending on the situation. The concept is similar to the MoMA’s Items: Is Fashion Modern exhibit from last year, but this time it’s viewed as a much more approachable and hands-on experience.
His pseudo-realist installations, which include colonist statues draped in South American ponchos, grand statues of horse-riding conquerors sans-the-conqueror, and flaccid depictions of obelisks stripped of their roots, stand in defiant opposition to imperial fantasies of hegemony and divine greatness. At the end of the day, he seems to be having a good time doing it. On Monuments, his exhibition, is on view at Perrotin’s Viewing Salon until November 6th. Iván and I discussed Parisian rain, t-rex-sized pigeons, and becoming a cultural entity over email.