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Geek & Sundry is a digital production company and commercial YouTube and Twitch channel. 1st  As part of YouTube’s $100 million original channel campaign, it was released on April 2, 2012 by actress Felicia Day with Kim Evey and Sheri Bryant. “If good, it could help blaze a path for the future of network television,” Forbes predicted in June 2012. (5) Legendary Entertainment bought Geek and Sundry in 2014, and it is now a division of Legendary Digital Networks. [number six] In 2016, Day left the company. [nine]
The channel was founded on three unscripted shows hosted by Day: The Flog (hosted by Day), Sword & Laser (hosted by Veronica Belmont and Tom Merritt), and Tabletop (hosted by Veronica Belmont and Tom Merritt) (hosted by actor Wil Wheaton).
 Since its inception in April 2012, the channel’s creators and hosts of some of its programs have attended a variety of fan conventions, including ComicCon, Dragon*Con, VidCon, and WonderCon.
They also went to Comic-Con in 2013, as well as San Diego Comic-Con in 2014.
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After visiting more than two or three coworking spaces, you’ll know that “coworking” is a vague concept that can be extended to a variety of settings. Some offices are nothing more than a Starbucks that requires you to bring your own coffee and charges a monthly subscription fee. Others, like the Geek House in Dallas, are on the opposite end of the continuum and could almost be called a traditional office environment. However, there are few things about an office that includes a life-sized Han Solo frozen in carbonite on the wall that could be defined as “standard.”
The Geek House is a new coworking space run by Livid Lobster Inc, the parent company of GeekBeat.tv, a prominent technology news and review site located in Dallas, Texas. Geek Beat creator and host John Pozadzides learned that some friends had already determined what he should do with his extra room after moving into a new location in August 2014.
“We had some friends who knew we had a lot of extra space when we first bought the building and moved in,” Pozadzides said. “They said right away, ‘Oh, we’re going to live with you.’ ‘Don’t even make a fuss!’ We said, “OK, that’s fine.”
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“Home is where the heart is,” as the saying goes. But what if your heart is rotten and you can’t let go of the baggage from your past? Remi Week’s new film, His House, attempts to address this query.
His House, a mashup of drama and horror that debuted on Netflix, explores what it’s like to conquer a foreign land after fleeing a war-torn country and the desperation to integrate into a world that isn’t your own, as well as the horrors that come with it. The third act slightly stifles the plot, preventing this decent film from being a great one.
Bol (Sope Dirisu) and Rial (Wunmi Mosaku) are South Sudanese refugees who want to become British residents. Bol is adamant about not returning while Rial is bound to her homeland. The parents are filled with regret because their daughter Nyagak (Malaika Wakoli-Abigaba) is no longer with them on the trip.
The couple lives in a run-down building that looks like a trap house. Regrettably, this isn’t the happy home they had hoped for. The walls are inhabited by evil spirits who prey on people’s emotions. Bol expresses his guilt by assiduously assimilating into British society. He starts to see people in the walls of his new home, followed by memories of the night he and Rial lost Nyagak. He does everything he can to shed his old skin, believing that it will help him get rid of his memories and the ghosts that haunt his house, but he is completely wrong.