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Cage The Elephant released a cover of Wreckless Eric’s “Whole Wide World” a few weeks ago, and it’s a great cover. Hearing it brought back memories of the song’s release by the fledgling Stiff Records (where Nick Lowe was the house producer) in the late 1970s, when it became an unexpected “rock” classic. On the one side, the song has brought Eric Goulden enduring success and, hopefully, years of royalties, but on the other hand, it has sadly overshadowed Eric’s many other wonderful songs, written and performed as a solo artist, in bands, and most recently with his wife, Amy Rigby, a brilliant singer/songwriter in her own right.
The Gaslight Anthem is unrivaled when it comes to classic rock covers. We saw them recreate songs by the Replacements, Tom Petty, and, surprise, Bruce Springsteen in our In the Spotlight feature. They proved they can break out of the mold with their cover of Kelly Clarkson’s “I Do Not Hook Up,” and they did so again this morning on Australia’s Triple J, covering Jack Johnson. * Continue to read »
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Over 40 bands and musicians covered Yusuf/Cat Stevens at the live-streamed CatSong Festival to commemorate the 50th anniversary of the iconic singer and songwriter’s 1970 albums Tea for the Tillerman and Mona Bone Jakon.
Yusuf/Cat Stevens says, “It’s nice to see and hear these covers of my songs given new life.” “There is no greater blessing for a songwriter than to have his songs performed with such passion and honesty by talented musicians. Thank you so much.”
Feist, Dave Matthews, Jack Johnson, James Morrison, HAIM, Ron Sexsmith, and hundreds more performed at the gathering. Yusuf / Cat Stevens’ wide-ranging performances included songs from over 15 studio albums released over the course of his decades-long career.
CatSong Festival 2020 included acoustic performances by Incubus’ Brandon Boyd, Passenger, Andy Allo, James Morrison, Bonnie “Prince” Billy & Matt Sweeney, Ron Sexsmith, rapper Brother Ali, and others.
In the reimagining of the LP’s version of “Longer Boats,” Ali laid down a few timely verses alongside new recordings of other Yusuf/Stevens classics including “Wild World” and “Hard Headed Woman.”
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Miles Davis’ studio album and score, Jack Johnson (also known as A Tribute to Jack Johnson on reissues), is a tribute to American jazz trumpeter, composer, and bandleader Jack Johnson. Columbia Records released it on February 24, 1971.
Davis composed the album for Bill Cayton’s documentary of the same name about boxer Jack Johnson’s life. Its two 25-minute-plus tracks were created from recordings made at 30th Street Studio in New York City on February 18 and April 7, 1970. Davis led a rock-inspired line-up of musicians in the studio, including guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham, who were all inspired by the political and racial subtext of Johnson’s saga as well as the hard rock and funk sounds of his own era.
Jack Johnson had a modest chart success and was generally well received by critics at the time. It is now widely regarded as one of Davis’ best albums, as well as one of the best albums in the jazz-rock genre, as well as his most overt foray into rock music. The Complete Jack Johnson Sessions, a five-disc box set containing previously unreleased songs from the recording sessions, reissued the original album in 2003.
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“So then we found out that they had Minor Threat ahead of time, that Ian [MacKaye] had been in Minor Threat [before Fugazi], and once we knew that, we were like, ‘OK, I guess we can do this,’ and so we became a Minor Threat cover band, and that was like 90% of our repertoire,” Johnson explained.
“It was a fantastic time. Someone who has ever formed their first band or knows anyone who has ever formed a band knows that getting to get to your mates in the garage and make a bunch of music is the funniest thing in the world.”
Johnson used Limber Chicken’s cover of “Steppin’ Stone,” a Monkees song that Minor Threat covered on their In My Eyes EP, for The Echo Chamber. Boyce and Hart’s song was often performed by Sex Pistols, Johnny Thunders, and scores of other punk bands.