📘 Best screwed by the network Online
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😎 Buy screwed by the network
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😀 Uncancelled tv tropes
Cartoon Network has a history of sabotaging successful shows by rearranging their schedules and time slots. Young Justice was canceled (and luckily picked up by Netflix) after moving from prime time to Saturday morning, and Cartoon Network allowed The Life and Times of Juniper Lee to fail due to insufficient ads.
Cartoon Network may have done both with the new Adventure Time shows, moving them to Sunday night instead of Friday or Saturday, and focusing their ads on the fourth Powerpuff Girl.
Cartoon Network’s reliance on low-quality shows like Teen Titans Go has been noticed (and despised) by fans. The factors are most likely due to the fact that TTG is inexpensive to manufacture and performs well with the target audience of young children.
The Powerpuff Girls, on the other hand, seems to be more of an effort to cater to older fans and nostalgia. Unfortunately, Cartoon Network does not seem to understand why people liked the original in the first place, so this effort has failed spectacularly. Tara Strong, the original voice of Bubbles and the most beloved voice actress among American cartoon fans, said she had no plans to return to the role. Recasting her and the other voice actors was a “purely artistic choice,” she said, and it felt like a “stab in the heart.”
💖 Out of order – tv tropes
Change the time slot on a regular basis. Play the episodes in reverse order. Friday evenings. Meddling by the executive branch. Lack of advancement. These are only a few examples of how TV networks have messed up their most famous series. So, as much as we might want to complain about NBC’s treatment of Community, the Greendale Gang, which is about to start its fifth season, has it simple compared to these ten shows. (Note: I left out The Tonight Show and Arrested Development, two shows that, although they were cancelled, have done well for themselves.)
The network interference group’s crown jewel. Freaks and Geeks was relegated to the doomed-before-it-even-began Saturday 8 p.m. timeslot. COPS, Early Edition, ABC Big Picture Show, and people with social lives are among its competitors. Not only that, but NBC aired out-of-order episodes, including the notorious “Kim Kelly Is My Friend,” which they declined to air. The show, along with two others, wouldn’t air for another year, on Fox Family Channel, of all places. And Veronica’s Closet received better treatment.
💨 Tv tropes follow up failure
One of the biggest disasters in science-fiction television history was the cancellation of “Firefly” after just one season in 2002.
🌏 Network to the rescue
Amy Pascale’s latest book “Joss Whedon: The Biography” provides a convincing account and new insight into what went wrong.
When Whedon arrived on set to announce the cancellation, actor Adam Baldwin told Pascale, “I’ve never seen him so wild.”
“‘I don’t have good news,’ he said, looking at me. The show has been canceled, and this is the final episode. And I want you to know right away.'” Whedon envisioned “Firefly” as a sci-fi ensemble show with a Western feel and “a gritty realism that wasn’t a ‘Alien’ ripoff,” a show featuring a ragtag party living on the frontier of a space-age civilization, a sci-fi ensemble show with a Western feel and “a gritty realism that wasn’t a ‘Alien’ ripoff.” The show’s quirks met with opposition at Fox, despite the show’s spirit and originality winning many diehard fans.
🌙 Network decay
“A brand new show is starting now on Channel 4 for which we paid a ludicrous sum of money, which we’ll launch in a blaze of advertising, and after a few weeks we’ll get sick of it and switch it around the schedule where no one will find it, so we’ll brand it a flop, take it off the air for six months, and reluctantly bring it back on at three a.m.”
💙 Adored by the network
—Dead Ringers, demonstrating how this trope works.
The time of the prototypical Network Executive is spent making him or herself look professional, not cultivating talent for the good of everyone. That means pretending to be responsible for all of the network’s successes and blameless for all of its failures, regardless of whether or not this was the case. Furthermore, the people the executive is attempting to persuade are his or her fellow executives, who are experiencing the same neurotic dilemma on a daily basis.
Nonetheless, the need to keep their networks stocked with new shows means that their commissioning bodies will have to submit a variety of shows that may or may not cater to network executives’ tastes.